Just another mish-mash of ideas in vlog form that I’ll just refer to as Idea Medley. Today we’ll be talking about pineapples, gut and performance, and reasons for writing, among other things.
fractaljournal.com is my main site where you’ll find stories, essays, webcomics, and more
Here is Stefan Mischook’s YouTube channel and the course I’m taking
The Udemy Bootcamp
I’m now on DTube: https://d.tube/#!/c/mellow.mission
Had an interesting article pop up on my Twitter feed this morning. It was posted by a youngish (and increasingly successful – good on him!) New York publishing agent and linked to an article titled, “Why the First Novel Created Such a Stir” Here is a quote: “…This was one of the reasons book inspired […]
In the romantic month of February….I commit to Linux!
Sort of an impromptu brought about by my geeky reading from earlier in the day.
Linux has many advantages (security, freedom, customizability, etc.) leaving very few (if any) reasons to stay with Microsoft or Apple.
Feel free to share your thoughts on the matter and as always don’t take my word for it.
Here’s a few links:
Ok, so they’re all pro linux, but I’m on my honeymoon so AMORE!
Here’s a great video on the state of internet freedom and quality along with a great product under development to help ensure secure transactions that reward merit (if all goes well)
In this little impromptu, I talk about the subject of water and how I became interested in it through not only E.O. Wilson’s excellent book consilience but a very colorful high school Earth science teacher.
This topic segues into a brief chat on wiser resource and energy practice where I present some fancy NASA designed insulation I just had installed at my home and describe how such incremental changes will form the bedrock of a sustainable society.
Sorry about the phone ringing in the middle and the lack of editing. I’m experiencing some software issues. Thanks for stopping by.
Check out my book in progress: https://fractaljournal.com/2017/10/28/forever-fluid-the-strange-case-of-renewable-limits/
Vice India/Water Documentary – https://www.youtube.com/watch?v=mkBoVfkOWqQ
Porous Cities – https://www.asla.org/2016studentawards/184035.html
The views espoused above do not necessarily mirror my own. I just feel that these links will give you a good idea of some key concepts. I always encourage critical thinking.
Recent conversations have me realizing the need to try to begin to hammer out a topic that’s been on my mind for a while: the difference between advocacy and reporting.
Understanding the merits, methods, and problems of both disciplines is especially necessary in the information-saturated society of today.
I also talk about the merits of Linux and give some reasons for and against using it from a content creators perspective.
LOL. That thumbnail tho. I couldn’t resist…wut will they say bout us ma! We must attain Linux Purity!
Thanks for stopping by.
Check out my main website: http://www.fractaljournal.com for stories, essays, webcomics, and more.
Dialectic – https://en.wikipedia.org/wiki/Dialectic
In this ‘TFJ Vlog’ I discuss how the solution to many problems of technology like Big Data may not be technological but legal and societal.
I was heartened when I found out that the CEO of AT&T had mentioned the need for an ‘Internet Bill of Rights.’ I had long had the ‘Big Data/Privacy/Quality of Life’ conundrum milling about in my head. Especially after reading Cukier and Schonberg’s book. It was refreshing to see these issues being addressed from a policy perspective by a business interest.
Now I realize that as was mentioned in the Variety article that’s linked below, there are inconsistencies in AT&T’s behavior and the CEO may have self-interested motives. Nonetheless at least lip service is being given. Though we must of course call for much more.
Which will require us to look into the matter closely as it unfolds and educate ourselves on all its permutations.
Toward’s that effect here are the videos and background reading that I read in preparation for this post.
Big Data Book:
This is some truly glorious and informative kvetching from the illustrious Bryan Lunduke, on the subject of cell-phones, which is an issue directly related to the topic of this vlog.
Check out my main website: www.fractaljournal.com for essays, analysis, webcomics, stories, and more.
Thanks for stopping by and,
Apologies for issues with the formatting, I ran out of time, and hope to be able to fix the eyesore within the coming week.
The term integrative analysis is generally used in an ‘applied science’ context. ‘Big Data Companies’ such as IGI Global define it as:
1. Analysis of heterogeneous types of data from inter-platform technologies.
Inter-platform technologies mean that the machines and instruments used to gather data are combined into a cross-platform system for integrative analysis of diverse data-sets; which often results in an emergent framework.
That’s still a bit clunky. A better take may read something like: using data from different measurements and processes and combining it to find new patterns that lead to new hypotheses, and discoveries, in so doing paving the way for yet more hypothesis and discoveries.
So in essence just plain old science. But there is a distinction. In that, this is plain-old science at an incredible pace. Augmented in the case of IGI and similar ventures by computing and highlighting the need for the synthesis of such technology assisted derivations in iterating novel solutions.
I am taking pains to describe the more prevalent (industrial, professional, sic) use of integrative analysis to avoid confusion about its operational definition as regards this journal.
At the core of this sophisticated-sounding term is a simple concept. In essence integrative analysis is about not missing the forest for the trees. And actually, it goes a step further than that in not missing the trees for the forest.
That’s what I love about ‘Integrative Analysis’ – It is a top-down, bottom-up, object-oriented sort of thing. Not tarrying too long within the restrictive parameters of any one iterative methodology.
Why apply such a term to a somewhat artsy, ‘philosophical’ website like The Fractal Journal?
In short: spillover. What I mean by this is that the incredibly successful scientific practice of reductionism has bled into other disciplines, like journalism, the arts, and philosophy.
I am by no means ‘anti-reductionist.’ I view ‘reductionism’ as an indispensable weapon in the arsenal that will help humanity win the war for understanding. It yields results because it’s intuitive, focused, searchlight helps us break down processes and problems into workable parts.
Reductionism has always gone hand in hand with bottom-up methodologies. In which the parts, once understood as distinct, are reassembled into an integrated whole. So why proclaim any level of novelty or lavish special attention to ‘integrative analysis.’
Well, simply because two things go hand in hand, doesn’t mean that their relationship is always balanced. I don’t know if it has to do with the psychology of folks given to the hard sciences, or is simply due to the intrinsics of the hard sciences, or some combination of these factors but the balance has certainly seemed to be in favor of reduction (At times even ‘reductio ad absurdum’).
Really, I think that this has something to do with the greater need for specialization as the complexity and depth of respective fields emerges.
Or, more specifically: The focus of respective disciplines despite sharing a common core of basic scientific principles has titrated down to rather over-isolated little monads. This being the result of over-reliance on reductionism, perhaps by necessity.
There have been folks more qualified than I who’ve commented on such trends, like the biologist E.O. Wilson, who calls for the need for a return to more classic conceptions, with a focus on synthesis over isolation. (That is my takeaway from his book Consilience and should not be read as a definitive statement of Wilson’s position.)
This trend of over-reliance on reductionism has led to the unnecessary and destructive Balkanization of disciplines. While there is a need for distinction, there is no need for rigid walls. In fact, such walls render the world of science and the humanities more sterile than they need be.
Synthesis, integration, of data and ‘models’ derived from reductionist processes, is what The Fractal Journal is about. The emergent frameworks like the ‘fractal analogy’ of its namesake are why I think it valid to use ‘integrative analysis’ as a subheading.
Despite the journal’s broad range of topics, and its use of artsy and informal means of framing information and exploring subjects, it does engage in ‘integrative analysis.’
Though it isn’t a highly specific computer-assisted search for ‘proof of concept’ it does nonetheless venture into serious, structured analysis of parts and systems. Since it does so with an especial focus on highlighting the overlap of parts and systems it can fairly be called integrative.
I’ve often found this need for integration elegantly highlighted. Just today while doing background reading for the first chapter of my water book, I jumped from covalent bonds to valence, to heuristics, and finally to the Inventor’s Paradox. All these things were interconnected via Wikipedia because they are interconnected conceptually. This is the first proof of the integrated nature of reality that I witnessed just a few hours ago.
The second proof is the ‘Inventor’s Paradox’ itself. The inventor’s paradox lies in the domain of problem-solving. It addresses the very heart of the problem with over-reliance on reductionism; by pointing out the somewhat counter-intuitive fact that sometimes broadening your search, helps you find a specific solution.
The paradox was introduced by George Polya in his book How to Solve It:
– The more ambitious plan may have more chances of success […] provided it is not based on a mere pretension but on some vision of the things beyond those immediately present.
When you are attempting to solve a problem in the reductionist style, which really is the natural, and intuitive style, you use Occam’s Razor to remove as much ‘excessive variability’ as possible.
I know that some people consider it gauche to quote Wikipedia directly, but I really found the way reduction’s problem was painted there rather elegant:
“Doing this can create unforseen and intrinsically awkward parameters.”
I really like that phrase ‘intrinsically awkward parameters’ because it’s a really apt way of portraying the limitations of reductionist methodologies. Too narrow a focus, too specific an explanation, leaves you more vulnerable to stagnation via the illusion of having arrived at either an answer or an impasse. It is the ultimate missing of the forest for the trees.
It always reminds me of a wonderful evening I had about half a decade or so ago. My ladyfriend, my best friend, and I were all hanging about a house she’d been allowed the use of. Lounging about, washing away the taste of cheap cigarettes with cheaper wine we were a perfect portrait of decadent Bohemians. She fancied herself a visual artist, or at least that was what she’d intended her university to teach her, till it convinced her to lean towards marketing. So, she had many a drawing supply at hand.
My buddy and I who were more musically and mathematically inclined decided on a whim to abandon our bantering about on a couple of guitars to join her in drawing. This is where the psychological and methodological differences relevant to this essay came into play.
I am a sketcher. I draw broad and messy things and eventually whittle them down to finer details. My buddy who’d I’d never seen draw before was a solid line, boom, there’s the thing, no bs, sort of fellow. I think he’d drawn a parrot or a penguin or some such thing with very clearly and neatly defined lines and structures. It was like an ‘engineer’s blueprint’ of a caricature of a penguin. I think this unsurprising given his facility with programming and mathematics.
I believe that on this night we had a nautical theme going. Perhaps owing to the presence of Rum somewhere on the premises. Hence the parrot or penguin or what have you.This ambiance led my storyteller’s mind to form all sorts of imagery from bits and pieces of literature I’d read over the years. I’d drawn something akin to a villa on the coast, luxuriating, on a clifftop above a bay lined with ships. Aesthetically it was somewhat lacking but intelligible enough. It did not have the neatness and the crips pleasant feel of my friend’s parrot. But it did have something else: context.
Context to me is the aim of integrative analysis. Rather than a very clear, and pretty, solitary parrot, of an engineer; a contextualized version would have that parrot atop the shoulder of a rum-swigging pirate, standing in the crows nest, amidst a placid sea. Something that an architect may be more likely to produce.
Really, this could be taken even farther.
Terrence McKenna said in one of his many lectures that people tend to be either seers or readers. I think this has some validity demonstrated through the story above.
I consider myself to be a reader. Seeing things and extrapolating a meaning, a context, which I then display. A seer sees a monad, a thing in isolation, but in exquisite detail, its background might be hazy, but the thing in itself is there, complete, coherent, etc.
I think it important to merge these two inclinations as much as possible. I think this important because the world is not bottom up, or top down, or even object-oriented. It’s up and down, and bottom up, and goes every which way.
….but in every which way within reason. It is the search for that reason that humanity has embarked upon and which The Fractal Journal is glad to support and celebrate.
Really shoulda been called the art of consistent uploads but eh…
Here is the TL;DW (too long; didn’t watch) version of this vlog:
The main message is that consistent posting helps you develop your artistic vision, relevant skill-sets, and confidence. Consistent posting can, however, be difficult due to psychological hurdles. I whittle these down to five variations on the themes of romantic notions and perfectionism.
Here they are:
5 Barriers to Consistent Posting
1) ‘High Volume Leads to Low Quality’ – This is a form of perfectionism. The thought goes ‘If I post for the sake of discipline, for the sake of posting, then those posts aren’t going to be good, quality over quantity.’ Well, I think the case can be made that the biggest barrier to quality is lack of quantity (lack of practice). The feedback and stamina you receive from putting your best possible foot forward is exactly the sort of journey that will take you on the road to higher quality creations. Wallowing in notions of making something good, better than ‘those wankers polluting the internet’ isn’t going to get you very far.
2) ‘Effort Fallacy’ I don’t know if this is an official logical fallacy but I see it so often. What I mean by this is that when things feel too easy they don’t feel worthwhile or authentic. It’s really easy to post, to start a blog, therefore at times people feel cheap and illegitimate. They long for validation. Being published by Random House, or being on a music label are perhaps the only things that will make them feel like they’re contributing something of value (Don’t get me started on college…).
This is because the person with this sort of psychological state is hungry for litmus tests. It’s not necessarily a bad thing since going through the process of gaining the approval of professionals is a valuable obstacle course. However, it is still a fallacy because that obstacle course does not necessarily ensure quality.
Quality can be assured by objective tests such as economy of language, readability, descriptive depth, or clever implementation of the circle of fifths. You can do that on your own. It’s especially important to do that on your own because eventually you will have to, and you will gain the approval of professionals faster, if you gain real-world exposure by putting yourself through the paces, of putting your stuff out there.
3) ‘There are a zillion voices and artists, I won’t get heard.’ Well, sure over-saturation is a thing. The good news is that it has always been a thing and many people have still been able to overcome it. The problem is certainly compounded today because technology has allowed yet more voices to enter the arena at an ever-increasing rate. Yet, from everything that I’ve observed, if you put something out there and it’s good, there will be people who find it, enjoy it, critique it, etc. Sometimes even if it’s not so good. I find that I am able to discover new content creators frequently and keep up with at least twenty or so on a weekly basis.
4) ‘Privacy and Security’ This is perhaps the most valid concern on this list. People don’t feel comfortable becoming a ‘public figure.’ Fortunately, there are pen names. It’s important to not let FUD hold back your creative development. Something that you can only gain through practice and feedback.
5) ‘I haven’t the time.’ In this world of washing machines, automobiles, and 4g even a parent working full time will eventually find the odd hour (I think it’s much more than the odd hour, given the fact that people find time for the Super Bowl etc.) Whatever your window is, use it. Building your creative skill-sets will benefit your life in a host of ways.
Hope this has been helpful, thanks for watching, listening, or reading.
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Seems I’m channeling my inner Weegy in that trv kvlt frame on the top right there…
I’m having technical difficulties and so to blend parts I had to use Kdenlive instead of Ardour. I guess everything has a silver lining since I can show off a couple of neat little features of this free, open-source, video editor. I used the vignette effect in the overlay violin video along with ‘binarize dynamically’ to give it that James Bond, 60’s gun barrel feel.
Though the video proper may make me liable for causing seizures, it’s comprised of two of my favorite effects: luminance, and old film.
Kdenlive also has audio editing tools but I only used the volume control to make the violin part (sic) quieter than the guitar and voice. I’d have done more and actually synced up the parts but things run a bit odd on this older HP. Though likely I just have to resolve some software dependencies.
So if you’re ever in a jam like me, with all your DAWs and even audacity refusing to work, maybe you can turn to Kdenlive. But, that’s really a super tertiary reason. The primary reason is that it is fantastic for editing videos. And it costs nothing.
As per usual the lyrics are based on a poem: Transmission (Poem)
Thanks for stopping by and check out my main website: http://www.fractaljournal.com for essays, stories, webcomics and more.